Minggu, 24 Agustus 2014

Download Vintage Tattoos: The Book of Old-School Skin Art, by Carol Clerk

Download Vintage Tattoos: The Book of Old-School Skin Art, by Carol Clerk

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Vintage Tattoos: The Book of Old-School Skin Art, by Carol Clerk

Vintage Tattoos: The Book of Old-School Skin Art, by Carol Clerk


Vintage Tattoos: The Book of Old-School Skin Art, by Carol Clerk


Download Vintage Tattoos: The Book of Old-School Skin Art, by Carol Clerk

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Vintage Tattoos: The Book of Old-School Skin Art, by Carol Clerk

Review

“It seems like everyone and their mother has been inked. Carol Clerk’s new tome, Vintage Tattoos, The Book of Old-School Skin Art, tracks the evolution of old-school pin-up girl pieces…as well as classic floral, nautical, death memorials and heart designs.” ~Nylon Magazine“We’ve read our fill about tattooed circus acts and indigenous people, but we’ll always make time for the scalawags who revolutionized tattoo art. The best chapters in Carol Clerk’s Vintage Tattoos: The Book of Old-School Skin Art detail the history of nautical and patriotic tattoos and their superstitions.” ~Inked Magazine"The lavishly displayed wealth of brightly colored old-school flash is the heart of Vintage Tattoos, and the main reason you’ll find yourself flipping through it again and again. (Clerk's) ruminations on these designs and their cryptic meanings are enlightening." ~Playboy.com"Vintage Tattoos is as much a tat history for tat lovers as it is for anyone into pop culture and art. Gems of tattoo lore transport us to the traveling circuses of the turn of the century (which kick-started America’s tattoo fascination) and hidden backroom parlors which popped up once state governments started banning tattooing in the 1960s. It’s a history lesson worth its ink." ~ModernTonic.com"Vintage Tattoos...is 256 pages of art and anecdotes. Salty stories of tattoo times when shotguns, not art school degrees, hung on the walls behind the parlor counter. When tattooists traveled with the circus, not metal bands. And when the art went underground because of tattoo bans." ~Needled.com"...an entertaining and informative title that should be in every tattoo enthusiast's book collection." ~Skin Art Magazine“Somehow quaint and sexy at once, this opus of the epidermis will stimulate smiles, winces, and perhaps more.” ~Passport Magazine

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About the Author

Carol Clerk is a veteran music writer and author who has written for a number of underground newspapers and ‘zines like the weekly Melody Maker.

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Product details

Paperback: 256 pages

Publisher: Universe (February 17, 2009)

Language: English

ISBN-10: 0789318245

ISBN-13: 978-0789318244

Product Dimensions:

8.3 x 0.7 x 8.2 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

53 customer reviews

Amazon Best Sellers Rank:

#52,619 in Books (See Top 100 in Books)

Ditto on the favorable reviews -- this gives a great history of influential artists and themes over the years, from early 1800's up through the 1950's. Focused mainly on American artists and old-school themes, but also includes a little on some of the great Brit, Nordic and Japanese artists as well. Nice balance of historic photos, flash and text, and well organized thematically. Very informative for those looking for a bit of background or researching their next ink.

A good mix of well-known and unknown tattoo artists throughout history. Solid blending of flash and narrative, as well.

This book is awesome...plenty of "olde tyme" tattoo flash for reference. People talk about "old school" all the time and don't really know what they're talking about...this book is entirely compiled of the original old school style flash and not awkward modern reinterpretations of it.The drawings contained in this book were created by self-taught untrained artists who only had a limited range of subject matter to emulate and execute. Many of the drawings may seem a bit rough and primitive but remember the art of tattoo has only recently been adopted by the fine arts community and this book represents the traditional artwork of tattooists in the early part of the twentieth century...in it's completely unadulterated form without the self consciousness of modern art. This book is a must for the serious collector or general enthusiast of classical European/American tattoo traditions.

There is no shortage of tattoo books coming out these days.I liked this one because it dealt with old school flash which is my preference.A lot of interesting information and well illustrated.Quite a bit on George Burchett and his work which I found especially good.

I bought this book for a burgeoning Ukrainian tattoo artist in zaporozhye oblast- he really appreciated it!

Got this for my mom!

This is a great book. It's that simple. If you're at all interested in classic or vintage tattoos then let this be your first book on the subject, or if you have other tattoo topic books, then you need to add this to that collection.I was interested in a book on old school or vintage tattoos. My main purpose was to learn a little bit more about Sailor Jerry Collins and his influences. I thought maybe there would be some other interesting tidbits of information on the history of what we now consider "vintage tattoos" and maybe some cool pictures - what I got was an amazing surprise.There is so much fantastic and detailed information - none of it boring. The book takes you on an incredible journey through time, style, artists and even equipment.Even if you don't know how to read, the pictures and old flash of these vintage tattoos are worth the price of admission ... ok, the price of the book, but you get the point.Whether you're looking for tattoo ideas, a tattoo history lesson or want to have a unique perspective on vintage tattoos - this is a must add to your bookshelf.

Very pleased!!

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Sabtu, 02 Agustus 2014

Free Ebook The Chain: Farm, Factory, and the Fate of Our Food, by Ted Genoways

Free Ebook The Chain: Farm, Factory, and the Fate of Our Food, by Ted Genoways

The Chain: Farm, Factory, and the Fate of Our Food, by Ted Genoways

The Chain: Farm, Factory, and the Fate of Our Food, by Ted Genoways


The Chain: Farm, Factory, and the Fate of Our Food, by Ted Genoways


Free Ebook The Chain: Farm, Factory, and the Fate of Our Food, by Ted Genoways

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The Chain: Farm, Factory, and the Fate of Our Food, by Ted Genoways

Review

“A muckraker for our times, Ted Genoways goes behind the scenes in the meatpacking industry and shows us how the sausage is really made... An insightful chronicle of a changing American heartland, and of lives trampled in the headlong rush to industrialize the food system. Upton Sinclair would surely approve.” (Dan Fagin, Pulitzer-prize winning author of Toms River)“Ted Genoways has crafted an unflinching, intimate portrait of America’s industrialized meat system, centered on pork but conveying lessons that go beyond it. The Chain is a must-read for anyone concerned with our nation’s food system, and the phenomenal cost—animal, human, and environmental—of cheap meat.” (Tracie McMillan, author of The American Way of Eating)“An exhaustive examination of this industry. . . . Readers curious about meatpacking and agriculture as well as the social, economic, and environmental impacts of the food industry will find Genoways’s nonfiction debut a valuable and stimulating read.” (Library Journal (starred review))“A searing indictment . . . [Genoways] writes with passion and a sense of mission . . . He should get people thinking about the trade-offs that the public makes in return for low-cost meat.” (Associated Press)“Formidably researched and vividly told, The Chain is the definitive story of American pork. Ted Genoways intercuts intimate portraits of towns and factories with longer views of labor, business, and immigration history, making painfully clear the true cost of the ‘other white meat.’” (Ted Conover, author of The Routes of Man)“A scathing report on the consequences of factory farming….Genoways…shows that little has changed in more than 100 years….[He] tells a sad, horrifying story, a severe indictment of both corporate greed and consumer complacency.” (Kirkus Reviews)“Comparable to Sinclair’s classic expose, The Jungle, Genoways’s blistering account of the meatpacking industry makes the case for tighter monitoring of this powerful sector of American agribusiness.” (Publishers Weekly)“A disturbing exposé . . . Genoways makes a compelling case that the meatpacking industry’s relentless drive for higher output poses a threat to food safety.” (Minneapolis Star Tribune)“A scathing report on the consequences of factory farming. . . . A sad, horrifying story, a severe indictment of both corporate greed and consumer complacency.” (Kirkus Reviews)“…a worthy update to Upton Sinclair’s The Jungle and a chilling indicator of how little has changed since that 1906 muckraking classic.” (Mother Jones)

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About the Author

Ted Genoways served as the editor of the Virginia Quarterly Review from 2003 to 2012, during which time the magazine won six National Magazine Awards. He is a contributing editor at Mother Jones and an editor-at-large at OnEarth, and is a winner of the James Aronson Award for Social Justice Journalism. He is a fourth-generation Nebraskan and lives in Lincoln.

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Product details

Paperback: 320 pages

Publisher: Harper Paperbacks; Reprint edition (October 20, 2015)

Language: English

ISBN-10: 0062288768

ISBN-13: 978-0062288769

Product Dimensions:

5.3 x 0.7 x 8 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

48 customer reviews

Amazon Best Sellers Rank:

#371,210 in Books (See Top 100 in Books)

This book is, above all, an account of corporate greed and its horrific effects on society. The book focuses on Hormel Foods, the maker of Spam, from its late 19th century origins to the present day. In the 1990s, relaxed USDA inspection regulations at Hormel's pork processing plants allowed it to increase the speed of its production line (known in the plants as the "chain", which gives its name to the book). Then, the recession beginning in 2007 resulted in a greater demand for Spam, which was viewed as a cheap alternative to fresh meat. Eager to satisfy this demand and avoid losing market share, Hormel began increasing the speed of the chain to terrifying and previously unheard of speeds. The company's two pork processing plants in Austin, Minnesota and Fremont, Nebraska, came to process up to 1,300 hogs an hour. This brutal pace put immense pressure on workers and contributed to more workplace injuries in an industry in which they were already common.Through painstaking research and investigative journalism, the book describes in detail the various negative effects Hormel's aggressive business practices had on its workers, the communities in which it operates, the environment and the pork producers who supply it and the welfare of the pigs they raised. Genoways describes how the pork processing jobs changed over the last few decades from stable middle-class, unionized jobs to poorly-paid, non-union jobs mostly filled by undocumented workers. He also explores how pork farming moved from large numbers of small-scale farmers raising a few dozen hogs on traditional outdoor pasture to the gigantic corporatized farms of today, where vast sheds house thousands of hogs who live their whole lives in concrete and never see daylight.I thoroughly enjoyed this book. Similar in style to Eric Schlosser's "Fast Food Nation", "The Chain" is engagingly written and engrossing. Overall it is an indictment of the factory farming system that exists in the United States today to satisfy consumer demand for cheap meat. It is an important book for anyone interested in animal welfare, the environment and worker rights. My only criticism is that some portions were a somewhat prolix and could have used some editing to assist with ease of reading.

I have to admit I bought this book thinking it was more about the food part of the story. If that's what you're looking for I recommend looking further because the emphasis in this book is the workers (though it may convince you to never even look at a can of Spam much less eat any). The author can't seem to really decide what he wants it to be about & so he tries to write about everything - food, animals, worker's illness & injury, immigration, farming, pollution, unions, big business, laws, government. The result is choppy with some parts that are fascinating & others that I had to struggle not to just skim through. All in all it's a well written, well researched mostly interesting book but it could have been much better

The Chain does a good job of combining stories of real people with cold facts. That combination of anecdotes plus statistics is the best way to convince people to change their mind about something. I learned a lot, and I would recommend The Chain to others.I read some reviews that were unfavorable because the book did not focus enough on the suffering of animals (and presumably, the superiority of veganism). Yeah, the book isn't about that. It's about humans. It may be a book from an omnivore's perspective, but there's nothing wrong with that. This book shows that people who do eat meat should be paying more attention to the safety and regulation of their food. Even if you are a vegan, giving this book to an omnivore friend could lead them to eat less meat, or look further into the suffering of animals, even if it wasn't a main emphasis. The morality of eating meat is never brought up in The Chain, but the book is effective and important without it.

This is a great book. Having lived 20 miles from Austin in the neighboring Albert Lea and having worked in the Albert Lea Wilson's & Company meat processing plant this was quite the update on the speed and nature of production of my era forty years ago. The health issues and immigrant labor challenge and the broadening of the large producers into the production side of the hog industry and the environmental impact on regional water quality is fascinating. The bottom line is you may not eat pork, work in the processing industry or drink water in southern MN or northern IA again.

Ever wonder where all the illegal aliens are working? Well, most of the meat you eat is processed by illegal aliens from Mexico. So if you're one of those conservatives who rants about sending back illegal aliens, remember that they're people just like us who have families and work like dogs putting meat on your table. Further, if you're one of those people who can't stop romanticizing BBQ, maybe you should think about the incredible torture inflicted on animals in modern day meat warehouses. You can get by eating a lot less meat. Don't like a lecture? Tough!

Well written and so informative on many levels. I will never eat pork again and hate this country for the way it treats its food animals and they way it lets big business and corporations ruin the environment and literally get away with murder, and so much more. I feel so sorry for all the people in Minnesota and Iowa that live near these pig concentration camps. I think anyone that cares about life should read this book.

You don't want to waste time reading my review.Read the book.Remember what you've read when you buy the burger or nugget or "other white meat".Recoil at what the "mechanization of animalia" is doing (if not to the animals) to the environment.Just read the book. And all the others on the issues of food as the most critical natural resource (well next to air, maybe).

What an eye opener. I never thought a big company like Hormel was treating its animals or its employees well, but I had no idea of the risks to life and limb they were willing to take in the name of profits. Disgusting!

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Free PDF , by James H. Cone

Free PDF , by James H. Cone

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, by James H. Cone

, by James H. Cone


, by James H. Cone


Free PDF , by James H. Cone

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, by James H. Cone

Product details

File Size: 676 KB

Print Length: 192 pages

Publisher: ORBIS; First edition (October 18, 2018)

Publication Date: October 18, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07HNXBX2Y

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A few months ago I generally stopped referring to my posts as reviews. I am not really reviewing these books, I am trying to respond to them, give some thoughts and talk about what I have learned. That is especially true for a book like Said I Wasn’t Gonna Tell Nobody: The Making of a Black Theologian by James H Cone. Almost exactly a year ago I read Cone’s 1985 memoir, My Soul Looks Back. That memoir was a mid-career memoir. And of course there are some overlapping memories and reflections, but it is interesting to me how different they are. The passing of more than 40 years does matter.I could make this a post of just quotes from Said I Wasn’t Gonna Tell Nobody. I have 20 that you can read on my Goodreads review. But the important part of reading a memoir like this is that it gives context for his other writing. I read his The Cross and the Lynching Tree (which he says was his favorite book) this summer. And I have previously read a couple of his other books. Many reduce Cone to just a ‘liberal theologian’ as if he has nothing to say to most of us. But Cone has much to say to us and reading his story I think matters to how we receive the rest of his work.Cone was an academic theologian. His dissertation was on Barth. He was strongly influenced by Reinhold Niebuhr. As a Black theologian, he felt he had to respond to the civil rights movement, especially after the death of MLK and the rise of urban riots in the US. His question, “What, if anything, is theology worth in the black struggle in America?”, mattered not just in 1967 but also today.Where many will disagree with Cone is his adoption of Malcom X’s statement, “We are black first and everything else second” and that discussion has continue today. But Cone was not rejecting finding his identity in Christ or was he implicitly condemning Whites and others by embracing his created Blackness. He was, in a not dissimilar way, embracing the concept of Black Lives Matters 50 years early.Cone was frustrated by his theological training (and I still hear this from many minority theology students today).The real historical Jesus, whom scholars have been seeking since the eighteenth century, was not white. That much I knew. When it became clear to me that Jesus was not biologically white and that white scholars actually lied by not telling people who he really was, I stopped trusting anything they said. It was ideologically tainted. I began to trust my own black experience as a better source for knowledge about God and Jesus. The black religious experience was less ideologically tainted because blacks were powerless and could not impose their view of Jesus on anybody. (Kindle Location 378)Many Whites especially want to reject Black Liberation theology as going too far in separation. But similar to the reasons that Black Churches exist (because Blacks were pushed out of the White church, not because Blacks wanted to be separatist as a primary value), Cone was responding to the sin white supremacy. “…White supremacy is America’s original sin and liberation is the Bible’s central message. Any theology in America that fails to engage white supremacy and God’s liberation of black people from that evil is not Christian theology but a theology of the Antichrist.” (Kindle Location 397)That feels too strong to many, but Cone says what he is doing is, ‘…defin(ing) Black Power as black people asserting the humanity that white supremacy denied” (Kindle Location 652).Part of how Cone writes is embracing theology as opposed to philosophy."Theology is not philosophy; it is not primarily rational language and thus cannot answer the question of theodicy, which philosophers have wrestled with for centuries. Theology is symbolic language, language about the imagination, which seeks to comprehend what is beyond comprehension. Theology is not antirational but it is nonrational, transcending the world of rational discourse and pointing to a realm of reality that can only be grasped by means of the imagination. That was why Reinhold Niebuhr said, “One should not talk about ultimate reality without imagination,” and why the poet Wallace Stevens said, “God and the imagination are one.” Black liberation theology strives to open a world in which black people’s dignity is recognized" (Kindle Location 1361)and"I wasn’t writing for rational reasons based on library research; I was writing out of my experience, speaking for the dignity of black people in a white supremacist world. I was on a mission to transform self-loathing Negro Christians into black-loving revolutionary disciples of the Black Christ". (Kindle Location 1378)Any good memoir of an author makes you want to read more of the writing of the author. That is certainly true here. But I was struck by the importance of music for Cone. He has a book directly addressing music, The Spirituals and the Blues, but all of his books reference music. I have not found one yet, but if I do not find one, my plan is to make a playlist of music in Cone’s books soon.In addition to the music, I was struck here by how much James Baldwin influenced Cone. That is not the only influence mentioned here, but it again it affirms the continued importance of Baldwin. (Cone has an entire chapter on Baldwin here.)Reading white theology, I thought of the words of the African artist Chinua Achebe: “just another piece of deodorized dog shit.” Reflecting on the European idea of “art for art’s sake,” he had noted: “Literature is not a luxury for us. It is a life and death affair because we are fashioning a new [humanity].” That’s what black theology was for me, and I embraced Baldwin as my theological mentor. (Kindle Location 2169)Two final notes. I am struck by Cone’s focus in Said I Wasn’t Gonna Tell Nobody on what he learned from critics. That does mean that Cone does not respond vigorously to debate, but that he really is open to hearing from critics and pointed to many areas where he adjusted or changed his theology based on critique.The second point is that the end of Said I Wasn’t Gonna Tell Nobody is an interesting extended discussion about Christian hope and the problem of suffering. I know that many that will reject Cone’s theology will not even pick up a book like this, but I do think that Cone has something to say about the role of Christian hope and how it responds to suffering in a way that few others really can.

What a blessing it was to read "the back story"! When I entered seminary in 1978, I didn't know anything about theology as an area of study, so I could not understand why there was so much controversy about Dr. Cone's work. His theology made sense to me and so I didn't pay much attention to the "theologians" he'd refer to in his writings in my study and ministry. I get it now. And I'm so very grateful for what I learned from him....back then...and now....what a legacy he has left us!

This is a farewell march by Dr. Cone as he lays out a very forceful commitment and life lived in the pursuit of a Black Theology of liberation. He shares his personal and professional challenges leaving the reader with a sense of a life well lived and a serious professional contribution to American Theology. His legacy as a theological pioneer is reflected here and should live on and on.

God has truly allowed us to hear a theologian who "does justice to the faith" and one who has done it with the righteous indignation that America needed/needs to hear. Thank you for the gift of James Cone!

I was unprepared for the impact that this book had on me. The black experience is one we all need to know about and appreciate in a visceral way. This man is a fine thinker but knows how to put the reader into the experience.

The chapter on James Balwin alone is worth the price.

I've read many of Dr. Cone's books. Although "The Cross and the Lynching Tree" will always be my favorite from him, this one is my 2nd favorite. It puts his life-long journey in context against the racial & religious climate of this country. His voice will truly be missed!!

Excellent book. Good reading. A must read. He was one of my professors at Union Theological Seminary in NYC.

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